BotTalk Reviews

The Phantom takes Christine deep beneath the Opera House.  He tells her they can never again return to the surface, that he was the one behind everything.  He tries to calm her down by playing the violin when she has a revelation, the Phantom is her father.  She removes his mask and is astonished by his disfigured face.  The inspector arrives to save Christine.  The inspector pulls a gun on the Phantom, the Phantom saves Christine as the underground begins to collapse on the Phantom.  Christine picks up the mask of the Phantom and drops it into the water as they make their escape. At the risk of repeating myself with some of the adaptions I feel there is little new here.  It is the basic story we know, no real twists or turns... save one.  In this version the Phantom is Christine's father.  This is such a late development as to be almost baffling.  The art, which has been a highlight, at times feels muddled and confusing in several pages...

War ends? Next on Void Rivals! The Quintesson War comes to an end for now in issue # 30 of Void Rivals! Void Rivals is Robert Kirkman’s sci-fi comic that tells the tale of two crumbling planets linked by a “Sacred Ring” (it’s not Halo), their peoples at war for generations. When a member of each culture are stranded together, the two find they must put aside their differences if they want to survive. This story takes place in the so-called “Energon Universe”, Skybound Entertainment’s initiative to relaunch properties like Transformers and G.I. Joe within a shared universe that also happens to include the original characters and setting of Void Rivals. Penciler Andrei Bressan and colorist Patricio Delpeche join Robert Kirkman for the sixth and final part of “Quintesson War”. In this instalment, Darak and Solila are finally reunited as the Quintesson War grinds to a halt. An even greater threat is on the horizon, so perhaps it is time to seek out new allies… So uh, who won? Oh, the Quint...

Creators : Joshua Williamson (writer), Andrea Milana (artist), Lee Loughridge (colorist), Rus Wooton (letterer) Story : Cobra Commander admires his latest achievement and sends Destro on a mission (despite his arguing otherwise).  We get a bit more background on Risk as he, Baroness and Stalker land in Badhikistan for a mission.  The reports say it is abandoned and that the people left it because it is haunted.  They start to see strange signs but eventually run into Destro, Astoria, and Mercer, who claim to have seen things also (both sides blame each other).  After a brief tussle, all but Risk are captured by various things.  Meanwhile. Crystal Ball looks on, having captured everyone with his tech.  Writing : An interesting story and right away Williamson has made Crystal Ball a bit more interesting.  Crystal Ball was never a fan-favourite character (or toy) so it will be fun to see what he ends up doing here.  We get some classic Cobra Commande...

It’s Elita Prime Time! A bold new era for the Autobots and this book begins! Robert Kirkman, chief architect of the Energon Universe, writes the flagship Transformers title and Jason Howard takes over as regular penciler for this new story arc with Mike Spicer on colors. Howard had previously drawn issues # 13 and # 14 of this book, along with many covers. In this thirty-second issue, Elita Prime and the Autobots that chose to follow her return to Cybertron via a space bridge portal and land in enemy territory. It isn’t long before Shockwave arrives with a welcoming party for them and a huge battle erupts! Can Elita prove herself worthy of the Matrix in her first major test as the new Prime? Fighty-fighty? Oh yeah, this entire issue is a big fight between Elita and Shockwave’s forces, allowing Jason Howard to showcase his artistic chops at action scenes. Things quickly become desperate for the Autobots and Elita Prime ends up having an “Open, dammit, open!” moment with her new Matrix t...

Creators : Larry Hama (writer), Andrew Krahnke (artist), Francesco Segala (colorist), Sabrina Del Grosso (flatter), Pat Brosseau (letterer) Story : In Sierra Gordo, the Joe team of Jinx, Dawn, Cover Girl, and Sherlock finish taking down a Terror Drome.  However, an explosion knocks Dawn around, revealing more memories from Snake-Eyes and Dr. Venom using his Brainwave Scanner on Snake-Eyes way back in issue 10.  On Cobra Island. Dr. Mindbender gets notified about these memories as well.   Writing : Hama easily wraps up the Terror Drome story while introducing a new problem for Snake-Eyes.  Hama introduced the world to Dr. Venom, Cobra's original mad scientist back in the early days of the comic's run in the 1980's and has continued to use the dead character and his brainwave scanner again and again.  He's a favorite villain that, while dead, just keeps coming back!   Art : It's nice to see Dawn without her mask on all the time in this issue.  Sometimes ...

What’s all this then? Oh, it’s just time for a Free Comic Book Day Energon Universe Special! For 2026, this edition features four tales: M.A.S.K., written by Dan Waters with art by Pye Parr. Transformers, written by Robert Kirkman, penciled by Jason Howard, and colored by Sarah Stern. Void Rivals, written by Robert Kirkman, penciled by Conor Hughes, and colored by Patricio Delpeche. G.I. Joe, written by Joshua Williamson, penciled by Tom Reilly, and colored by Lee Loughridge. Oh. Yeah, it’s the usual Free Comic Book day teases of upcoming storylines or in M.A.S.K.’s case, a new ongoing comic. Accordingly, M.A.S.K. gets the longest story that sets up the ongoing as Matt Trakker and Miles Mayhem begin to assemble their teams. The Transformers tale is free of dialogue, introducing a mysterious new human character and a classic Autobot who has been absent from the Energon Universe so far. The Void Rivals tale takes place after the current “Quintesson War” arc (and annoyingly SPOILS some pl...

Creators : Jorge Fornés, Dave Stewart Story : Firefly infiltrates a Soviet Union military base in the Sayan Mountains and while searching their computers for POWs, is almost captured by the Oktober Guard but is able to get away.  Later, he comes across an Afghan woman in a prison. Writing : This issue, another "Sssilent" issue, does a great job showcasing how dangerous Firefly has always been in the comics.  He has physical skills on par with the ninjas, is able to take down, silently, many of the soldiers in the base, plant explosives, and access computer systems.  The nice thing about this issue is we're not too sure who Firefly is actually working for in this issue.  Art : Some great art here.  First off, the Cobra Ice Snake (a high-speed, arctic attack vehicle with jaw snapping roll cage) makes an appearance, which is pretty cool when these vehicles from the end of the original ARAH toy run show up.  We also get some "video game" side-scrolling views as...

The Phantom comforts Christine as an arrest is made.  He makes a deal and has his play, an original composition, set to take over.  Encountering the previous prima donna, Christine begins to question why she wants the spotlight so badly.  The Inspector spots the Phantom observing his play and attempts to confront him.  The performance ends in a mass of dead bodies. Aside from the final pages this issue moves along fairly slowly.  Moments between the previous prima donna are interesting and give us some layers.  Why does Christine want the spotlight?  Why does she want to sing?  And will she be cast aside just as easily.  The final pages seem chaotic.  Perhaps on purpose, though it is a bit difficult to follow.  The Inspector confronts the Phantom.  There is some commotion and we see the audience seemingly dead.  The art, as with most of these Universal Monsters minis, is the highlight here.   five out of ten.   ...

Creators :  Howard Porter, Romulo Fajardo Jr. Story :  After retrieving something from some G.I. Joe divers in the ocean for Cobra, Copperhead heads to a penthouse and looks depressed eyeballing a picture of simpler times.  He joins in a street dirt bike race and that leads him to the bayou and a poker game with the Dreadnok pirate, Zanzibar.  They fight over the game and this leads to an airboat race.  Copperhead is brutal during the race and eventually wins.  However, his victory is short-lived as he has another job from Cobra. Writing :  Part of the "Sssilent" issues this month, Copperhead focuses on the driver of the Cobra Water Moccasin toy, though we actually never see it in the issue.  Honestly, it is a bit tough to figure out what's going on in the issue.  Is Copperhead doing this for revenge?  To prove he's the best?  Is the penthouse his home or is he just raiding it?  Does he have a conflict with Zanzibar or are they...

War continues, next on Void Rivals! The Quintesson War continues in issue # 29 of Void Rivals! Void Rivals is Robert Kirkman’s sci-fi comic that tells the tale of two crumbling planets linked by a “Sacred Ring” (it’s not Halo), their peoples at war for generations. When a member of each culture are stranded together, the two find they must put aside their differences if they want to survive. This story takes place in the so-called “Energon Universe”, Skybound Entertainment’s initiative to relaunch properties like Transformers and G.I. Joe within a shared universe that also happens to include the original characters and setting of Void Rivals. Penciler Andrei Bressan and colorist Patricio Delpeche join Robert Kirkman for the fifth and penultimate part of “Quintesson War”. In this instalment, Darak and the Agorrians are being pushed back by the massive Quintesson Tribunal, while the war continues to be fought on other fronts by Solila, Pythona, Proximus and many others. Wait, what’s the ...

Creators : Joshua Williamson (writer), Tom Reilly (artist), Lee Loughridge (colorist), Rus Wooton (letterer) Story : Cover Girl, Snow Job and Frostbite are set to retrieve Scarlett from her undercover mission at the Arashikage (from her own limited series).  While there, Cobra attacks and Scarlett, Jinx, and Storm Shadow do their best to fight off the Cobra troops but heavy causalities are taken and Cobra leaves the place destroyed.  Scarlett gets extracted.   Writing :  In homage to the original issue #21 of G.I. Joe, this is mostly a silent issue.  There is just a bit of mission journal at the beginning and end of it, but the rest is free of words.  This is a good follow-up from the Scarlett miniseries though it does give enough background so those who missed it won't be too lost.  We get to see just how ruthless Cobra can be as well.   Art : This issue, being a silent issue, hinges a lot on its art.  The art is really good.  We get a ...